Showing posts with label Ramayana. Show all posts
Showing posts with label Ramayana. Show all posts

Monday, 30 January 2012

Gier on Matilal on Virtue Ethics

This is Gier on Matilal's 'Epic and Ethics'-
'Matilal finds a caricature of Kantianism in R¹ma, whose inflexibility with regard to duty leads to absurd and/or harsh decisions.  As Matilal quips: "Rama's dharma was rigid; Kant's was flaccid."[35]  Even though he was encouraged to do so by the sage Jabali, Rama was not going to break a promise, even if it meant that he could regain his kingdom and avoid 14 years of exile. One of Rama's lame excuses for shooting Valin in the back was that a person has no duties to animals, Valin being a member of Hanuman's monkey army. (Kant held that mistreatment of animals was blameworthy at least as a reflection of the person's character.) Rama's extreme interpretation of a wife's duty to her husband has led generations of Indian women to conform to an impossible ideal. Following Sati's example, Indian women are required to stay with their husbands no matter what they ask of them and no matter how much they are abused.'
Why is this fucked?
The Ramayana is a widely available text- you might try reading it if you're going to write about it. What was 'Ram's extreme idea of a wife's duty to her husband?'- The answer is that she is free to leave him and then marry anyone or simply fornicate with anyone who takes her fancy.  Ram actually tells Seeta she is free to marry his own brother, Laxman, or the demon King, Vibishina, or the Vanar King, Sugriva (this forecloses the possibility of their appealing against Sita's decision to commit Suttee, because they will immediately be upbraided by that wrathful lady- who, consistent with Universal Dharma- gets the last word and upstages everybody) or that she may just go off on her own wherever she might please, even though Ram had just expended a lot of blood and treasure to get her back. 
Rama is saying a woman whose husband is living can, if he abandons her, marry whom she wills- even his own brother or someone of an enemy race or different status. There is absolutely no evidence that Ram held that a woman's duty is to stay with a husband who mistreats her. Gier, whose personal Virtue Ethic does not include being truthful, says ' , Indian women are required to stay with their husbands no matter what they ask of them and no matter how much they are abused.' I am Indian and though not a woman have a sharp temper and often sing 'main maike chali jaunge, tu dekhte rahiyo' while in the shower to hint at my displeasure with my domestic arrangements. Women are not required to stay with their husbands if they feel someone or other has insulted them or put their nose out of joint or failed to lavish compliments etc. and are constantly traipsing off to their 'maike' for a nice holiday. I recall reading a book by Wendy O'Doniger Flaherty in which she wrote 'The South Indian Brahmin female bites off the penis of her husband before beheading him' - which was the basis of my own refusal to marry within my caste, which was just as well because, ever since the invention of contact lenses, even the vainest of our myopic Iyer girls have been turning up their noses at me. However, Gier's statement that Indian women will stay with their husbands even if they are mistreated is even more misleading- indeed, it is potentially fatal! The husband of that heroine of Hindutva, Rajini Narayan, must have been reading Gier when he called his wife a 'fat, dumb, bitch' when she purified his penis with fire, according to an ancient Hindu custom (invented, presumably, by Wendy O'Doniger) and burnt the fellow to death. 
No doubt, Gier will blame Ram for this and amend his statement to read 'Indian women are required to stay with their husbands no matter how much they are abused because Lord Ram said they have a duty to purify their husband's penis with fire and burn the fellow to ashes- unless, of course, they are South Indian Brahmin females, in which case as Prof. Wendy O'Doniger has pointed out their duty is to bite off their consort's penis before neatly beheading the fellow. This is because Rama had a 'rigid' Virtue Ethics whereas Kant had a 'flaccid' one.'
Gier and Matilal fail to spot that, according to the Ramayana, Rama was God. There was some stuff he had ordained for himself to do, but ordained that he do all unawares, e.g. kill such and such devotee so that devotee might gain immediate union with the Godhead and so on. There is a perfectly coherent philosophical position- Occassionalism- which fully describes the universe of the Ramayana. As for the dramatic portions pertaining to Dharma- this arises from what we may call not just Agency Hazard but Policy Actor Hazard.
But, Matilal and Gier- being philosophers and therefore under occultation w.r.t the text (in Matilal's case) they have read in the original- ignore facts like this and write worthless shite.



Gier is much taken with this 'insight' of his-
 The Buddha once said that "they who know causation know the dharma,"[44] a great example of how dharma, as J. N. Mohanty observes, connects "what one ought and what in fact is."[45] This happy violation of the Humean prohibition of deriving an Ought from an Is demonstrates how virtues are derived from the facts of our personal histories and how this contextualizes all moral decision-making. The famous "mirror of dharma" is not a common one in which individual identities are dissolved, as some later Buddhist believed, but it is actually a myriad of mirrors reflecting individual histories. The truths they discover in their mirrors will be very personal truths, moral and spiritual truths that are, as Aristotle says of moral virtues, "relative to us."
Why is this fucked?
Dharma aint a happy violation of a Humean prohibition on deriving deontics from alethics. Maybe the Professor was thinking of Jack Kerouac's 'Dharma Bums' or something. It does not concern itself with 'the facts of our personal histories' at all. No statement re. dharma or vyavahara takes the form 'reflection on my personal history leads me to hold that such and such is enjoined on me'. On the contrary, we have statements of the order 'the seers have laid down x, y, z' or 'Scripture says x, y, z'  or, as in the story of Yuddishtra and the demon of the pool, a particular question- viz which of the Pandavas is to be brought back to life- is answered by applying a Universal maxim re. 'paro dharma' (the higher duty) such that the King chooses a half-brother rather than a full brother to be brought back to life.
Buddhism is a one period universe- kshanika vada- there isn't any time to discover anything and, no matter how many mirrors are all busy reflecting away, not time to look at them. There's only time enough for an intention to exist-Chetana ham bhikkhave kamam vadami. Chetyitva kammam karoti kaena vacha manasa- nothing else.
Neither an occassionalist not a momentary universe permits the drawing of the sort of conclusions Gier and Matilal arrive at.
The truth is talk of Morality and Ethics is worthless shite and has always been recognised as worthless shite. People who talk it are immediately recognized as fuckwits, frauds or murderous fanatics. The only categorical imperative that isn't fucked is to repay cunt pi-jaw gobshites in their own coin. 
Gier says- Matilal's insights now allows me to do something that I thought that I could not do in my own comparative virtue ethics--namely, to add Krishna to the Buddha, Confucius, and Aristotle. The problem of course is that Krishna appears to be the least virtuous person in this list and can hardly be seen as practitioner of the Middle Way.  Nonetheless, Matilal declares that his "dark Lord" as a "paradigmatic person . . . in the moral field," who "becomes a perspectivist and understands the contingency of the human situation,"[49] both necessary elements of virtue ethics.  He also describes him, as opposed to the rigid Rama or Yudhishtra, as an "imaginative poet" in the moral realm: "He is the poet who accepts the constraints of metres, verses, and metaphors.  But he is also the strong poet who has absolute control over them. . . . He governs from above but does not dictate."  This guarantees that Krishna 's "flexibility never means the 'anything goes' kind of morality."[50]
Why is this fucked?
Krishna spends a lot of time telling us that he is the only efficient cause. His Creation is an Occassionalist Universe but he isn't its 'strong poet'. Rather, as he declares, 
muninam apy aham vyasah
kavinam usana kavih

he is the sort of muni-kavi whose Shukra seeds Shuka who, having gone beyond that other Krishna, Vyasa,  already leaves him  behind, though at the morning of the world,  mourning and bereft. 

What actually happens in the Bhagvad Gita, is a discussion of Agency Hazard because, to preserve symmetry and 'balance the Game', both Krishna and Arjuna are Agents not Principals. Ultimately, Krishna offers himself up as sacrifice. He slays himself. The Mahabharata shows that even if a work is so constructed as to conserve karma and dharma as symmetries of the system, that system can't be purely relationist and must cash out as a substantivalism.
Gier proposes a sort of aesthetic autonomy in which virtue ethics has a domain and therefore some content. The problem here is that it really isn't true that any aesthetic degree of freedom is good or bad by itself. Auerbach, in his Mimesis, shows that the opposite is the case. Rasabhasa- the use of low style for high matter or the reverse- drives precisely the same process that Gier valorizes- viz. self-discovery within a relationist field of interacting reals.
the fine arts, I believe, give us a very rich analogue for the development and performance of the virtues. Most significantly, this analogy allows us to confirm both normativity and creative individuality at the same time.  Even within the most duty bound roles one can easily conceive of a unique "making one's own."  Even though the Confucians must have had a set choreography for their dances, one can imagine each of them having their own distinctive style.  The score for a violin concerto is the same for all who perform it, but each virtuoso will play it in a unique way.  The best judges have the same law before them and yet one can detect the creative marks of judicial craft excellence. Even the younger brother who defers to his elder brother will have his own style of performing this duty, his own dharma (svadharma).
Yes, but the point about playing the fucking violin is that, sooner or later, you evolve into a coke-head Nigel Kennedy type and get jiggy with like Spice Girls or summat. For all Art aspires to the condition of Music and Music aspires to banging groupies in your limo while off your head on coke.
As opposed to a rule based ethics, where the most that we can know is that we always fall short of the norm, virtue ethics is truly a voyage of personal discovery.
So true! Virtue ethics is about Harry Potter discovering his wand really is magic if he rubs it. However, this voyage of personal discovery has to end when he finally works out where to put it so it will do most good (I believe it was in Ron Beezley's sister- yuck-eee!) and engender future generations of young wizards who go off to Hogwarts to play with their wands.
Gier, whose oeuvre, like Simmel, is a manic protestation against the universal ontological dysphoria his own project virtuously discloses, ends on this lapidary note- 
'Virtue ethics is emulative--using the sage or savior as a model for virtue--whereas rule ethics involves conformity and obedience.  The emulative approach engages the imagination and personalizes and thoroughly grounds individual moral action and responsibility.  Such an ethics naturally lends itself to Matilal's moral poets and a virtue aesthetics: the crafting of a good and beautiful soul, a unique gem among other gems.'
This reminds me of a T-shirt I saw in the gym the other day- Idaho? No u da Ho!
Says it all really.

Monday, 23 May 2011

Rama's samrambha Yoga- the fruit of which was reunion with Seeta.

Samrambha Yoga is known as the path of Wrath which can be more efficacious than any other in achieving Union. This seems counter-intuitive. Surely Love, Mercy, Forgiveness, Compassion and so on are higher than Wrath and present a less risky and more socially beneficial type of Yoga or path to Union?
Let us look at a situation where Samrambha Yoga proved its worth, paving the way for the universally desired re-union of Lord Rama and Seeta Devi after the overthrow of Ravavana.
Valmiki tells us about Ram's emotional state-
Verse Locator
taamaagataamupashrutya rakShogR^ihachiroShitaam |
harSho dainyaM cha roShashcha trayaM raaghavamaavishat || 6-114-17
17. upashrutya= hearing; taam aagataam= that Seetha had arrived; rakShogR^iha chiroShitaam= after living long in the abode of a demon; raaghavam= Rama; aavishat= was filled; harShaH= with jo; roShashcha= indignation; dianyam= and felt miserable (too); trayam= all the three (at once).
'Hearing that Seetha had arrived after living long in the abode of a demon, Rama was filled with joy, indignation and felt miserable too all the three emotions at the same time.'
This mixture suggests heteronomous love- such as that of the child overwhelmed by the return of the mother whom nevertheless renewed rancour at the reminder of separation and the cruel maw of the misery of abandonment simultaneously lacerates and tears apart.

Yet Valmiki does not use the word anger as being part of that mix. Ram's wrath awakens for a different reason and he paces the path of Samrambha Yoga for a purpose wholly different.
saMrabdhashchaabravIdraamashchakShuShaa pradahanniva |
vibhIShaNaM mahaapraaGYaM sopaalambhamidaM vachaH || 6-114-25

25. raamaH= Rama; samrabdhaH cha= enraged as he was; chakShuShaa pradahanniva= with his looks as though burning; abraviit= spoke idam vachaH= the follwoing words; sopaalambham= with a reproach; mahaapraajJNam vibhiiShaNam= to the highly intelligent Vibhishana.
(The enraged Rama, consuming the demons with his looks as it were, Rama spoke the following reproaching words to the highly intelligent Vibhishana)

What provoked Rama's samrambha (anger) and caused him to reproach his virtuous client and ally?

At Rama's request, the King of the demons, Vibhishana, had brought Queen Seeta to the audience chamber. Thinking that protocol demanded the chamber be cleared of the bears and monkeys and demons who were milling about, Vibhishana and his retinue proceeded to throw them out roughly. This mistreatment of his own  people incensed Rama and set him on the path of Samrambha.
He reproved Vibhishana saying-
vyasaneShu na kR^ichchhreShu na yuddhe na svayaM vare |
na kratau no vivaahe cha darshanaM duShyate striyaH || 6-114-28
28. stiyaaH= A woman; darshanam= becoming visible; vyasaneShu= in times of a clamity; na duuShyate= is not condemned; na= nor; kR^ichchheShu= in battles; svayamvare= in self-choosing of a husband by a princess at a public assemly of suitors; na= nor; kratua= in sacrificial ceremonies; na vaa= nor; vivaahe= in marriage functions.
"A woman becoming visible to public in times of a calamity is not condemned in difficult situations, nor in battles, nor in self-choosing of a husband by a princess at a public assembly of suitors, nor in sacrificial ceremonies nor in marriage-functions."
saiShaa yuddhagataa chaiva kR^ichchhre mahati cha sthitaa |
darshane.asyaa na doShaH syaanmatsamIpe visheShataH || 6-114-29
29. saa eShaa= the yonder Seetha; vipadgataa chaiva= is in distress; sthitaa= and beset; mahati= with a great; kR^ichchhre= difficulty; naasti= there is no; doShaH= fault; ayaaH darshane= in her becoming visible in public; visheShaataH= particularly; matsamiipe= in my presence.
"The younder Seetha is in distress and beset with a great difficulty. There is no fault in her appearance in public, particularly in my presence."
visR^ijya shibikaaM tasmaatpadbhyaamevopasarpatu |
samiipe mama vaidehiiM pashyantvete vanaukasaH || 6-114-30
30. tasmaat= that is why; upasarpatu= let her come; padbhyaameva= on foot alone; utsR^ijya= leaving; shibikaam= the palanquin; vanaukasaH= let these monkeys; pashyantu= see; vaidehiim= Seetha; mama samiipe= in my presence.
"That is why, let her come on foot alone, leaving the palanquin there. Let these monkeys see Seetha in my presence."

Notice, Rama on the brink of being re-united with Seeta, did so under the condition and in the mode of 'samrambha' or wrath. This wrath arose out of mistreatment of his own people who were not considered worthy to look upon Seeta Devi- who is our very own Mother and can never be denied to us by officials with staves in their hands beating us 'stupid monkeys' during Processions of the Deity in the name of Public Order and Seemliness.
However samrambha (wrath) can not be disassociated with fear. The Samrambha Yogis- like Ravana, Putana etc- had their minds concentrated on the Lord from fear of the goodness and innocence that has power to destroy evil doers even if incarnate in our feeble and contemptible human form.
If Ram's anger is at our being excluded from the vision of Seeta Ma, this anger goes hand in hand with fear. Fear of what? 
pashyatastaaM tu raamasya samiipe hR^idayapriyaam |
janavaadabhayaadraajJNo babhuuva hR^idayaM dvidhaa || 6-115-11
11. hR^idayam= the heart; raajJNaH raamasya= of King Rama; pashyataH= as he saw; taam= Seetha (hR^idaya priyaam= the beloved of his heart); samiipe= near him; babhuuva dvidha= was torn; janavaada bhayaat= for fear of the talk of the public.
The heart of King Rama, as he saw Seetha, (the beloved of his heart) near him, was torn for fear of what people might say or how people talk.

Thus, we may conclude, there is a special beatitude attaching to a Samrambha Yoga based on wrath that common folk are being debarred from sharing in the Unqualified Good, provided that wrath is mediated by a chastening fear that the free and public discourse of those same people might, in the process, so to speak, seize upon the wrong end of the stick.

In Rama's case, not only does he get Seeta back but also his father and all the monkeys slain in the War they had fought for his sake.

One final point- Rama in his cruel remarks to Seeta suggests she choose Lakshman or Bharata or Vibhishana and live happily. This parallels his comment to Surpanakha that she may kindly take Lakshmana as a husband..

There is reciprocity between Creator and Creature, vyatihaaraha, vishinshanthi hiitaravatas Brahma Sutra (3.3.37) states, because both agree to be bound by this sort of ironic karma or universalization of individual love compacts into an imperishable, for perfectly Just, Civilization and Cosmos in which all relate to all on the basis of that same principle.









Sunday, 4 October 2009

riddle of the Uttrarakanda

 The riddle of the Uttarakanda explained- Lord Ram’s anukrosha
There was a tendency in the Nineties for  number of Western writers and academics (e.g. Fred Halliday, Karen Armstrong, etc) to ascribe to ’Hindu fundamentalists’ a desire to ’turn Lord Rama into a vengeful Father God’ - i.e. Yahweh- and thus impose an Abrahamic Monotheism on a previously heteronomously (ie. superstitiously) polytheistic populace. According to this view, the demand that India should be called ’Bharat’is also a sinister part of the conspiracy because the Bharat after whom our country is named is not (as you and I innocently assumed) the son of Sakuntala but ’the step-brother of Lord Rama’ (this last piece of idiocy from our own beloved Gayatri Spivak Chakroboty who claims to know Sanskrit and be of Brahmin caste! If you don’t believe me, check her ’Critique of Post Colonial Reason)

Strangely, few seem to pick up on the relationship between Ram and Abram- though it might lend a sort of sinister conviction to their claim.

The uttara kanda portion of the Ramayana is not really a puzzle. What is puzzling is how a previous generation of great Indians totally got it wrong. Thus Rajaji says that the Uttara Kanda is not canonical but perhaps an interpolation reflecting the tragic lives of our womenfolk- i.e. Rajaji is accepting the Colonialist view that Hinduism is basically about making women miserable, just as Gandhiji accepted Katherine Mayo’s view that India’s main problem- and the reason it could not legitimately take up arms to liberate itself- was MASTURBATION. Only the peasants toiling in the fields- Mayo tells us- have not ruined themselves utterly through self-abuse- but only because the ryots under the benevolent British Raj are too emaciated and undernourished to muster up an ejaculation.
What is the key utterance of the uttara kanda? It is this. The barber says ’I am not Rama’. But if the barber is not Rama then Ramrajya is just Rama’s Raj not democracy. So long as there are two moralities- one for the Ruler another for the Subjects- there is no democracy. True Ram’s throne was nothing but the love of the people. Tulsi tells us-
Danda jatinha kara bheda jahan nartaka nrtya samaaja
Jeetahu manahi sunia asa Raamacandra ken raaja!
(Much prattles the Machiavellian parrot of Stick & Carrot, Divide and Rule
But Love’s plural dance of Ego-conquest was Ramrajya’s only tool!)
How then could Lord Rama change the husband’s suspicious nature with respect to his wife?- i.e how stop the fool from destroying his own happiness? How change Society’s attitude to the return of the wandered wife? (What if it was not your sister-in-law but your sister who had been abducted or gone astray?) Since Lord Rama was the one most beloved, he had to inflict this pain on himself so that through anukrosha all beings could advance. This is the King as pharmakos- the scapegoat- who takes on all the evils of the realm so as to free his subjects from them. However the Greek and Hebrew pharmakos just ended with the slaughter of some dumb animal. The true pharmakos is to take on suffering not for death- death is easy, ask any suicide bomber- but for the sake of knowledge, for true knowledge- as Aeschylus saw- comes only through suffering.
But what is this saving knowledge? The answer addresses the most basic anxiety humans have- what Freud called the ’fort da’ problem- object permanence & abandonment issues- the baby’s anxiety that the mother ceases to exist when not visible. Baby’s anger at the mother when she returns- baby’s refusal to play and turning angrily away for not having forgiven the mother for ceasing to exist.
Now Indian poets had long ago made the equation between the viyogini (woman separated from lover) and the yogini (woman in mystic trance) both do not eat, are turned away from the input of the senses, have single pointed concentration etc.
Thus emotional dualism is the same as intellectual monism. Puranic and Upanishadic Religion cash out as each other.
Why is this important? It means there is a bridge between absence and presence, existence and non-existence. Thus Ramrajya does not depend on whether Rama lives or dies, is exiled or enthroned. real or imaginary.
Uttara Kanda is political. Why? Because it prescribes absoulute reciprocity and symmetry between all agents. There are no priviliged frames of reference or points of view. To quote Brahma Sutra aphorism 3.3.37- vyatihaaraha, visinsanthi hiitaravat- ’Scripture prescribes reciprocity between worshipper and worshipped’
From the point of view of both information theory and our own mimamsa- memory, love, and ’identity’ are disequilibrium phenomena- but this negentropy is life and so says Valmiki, though presently breath-blinded, the mirror of salvation.
To end let me quote Aziz Mian Qawwall’s ’Ram tera gorakh dandha’- ’Aaa Ram! Aaram.’